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Scenic costume: the development of a costume design for the Opera Antiochus by Francesco Gasparini edition of 1712

Nagamatsu RN;
Brito DM;
Matté LL;
Oening J;
Dias MC;
Ghizzo MR;
Machado EP

Rosimeiri Naomi Nagamatsu

Debora Mizubuti Brito

Lívia Laura Matté

Josiany Oening

Marcelo Capre Dias

Marcio Roberto Ghizzo

Elimar Plinio Machado


Resumo

The objective of this project is to present the results of the development of a scenic costume built for the 1712 edition of Opera Antiochus by Francesco Gasparini, through a partnership between two higher education institutions: the Federal Technological University of Paraná and the State University of Londrina. Therefore, as a methodology, action research, a bibliographic and iconographic survey of the European Baroque, zero waste modeling techniques, and modern tailoring and hand sewing were adapted for the reproduction of the scenic costume. In addition, the method described by Sobrinho for costume development was adapted for the creation of the scenic costume. The baroque costume consists of a shirt, shorts, jacket, and juxta corps. These costumes were reproduced to be used during the presentation of Italian Baroque Music & Grounds Arias from the Antiochus Opera by Francesco Gaparini in the 1712 edition. its reproduction through the adaptation of modern modeling methods as well as the conscientious use of resources.

 

DOI: https://doi.org/10.56238/methofocusinterv1-064


Creative Commons License

Este trabalho está licenciado sob uma licença Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.

Copyright (c) 2023 Rosimeiri Naomi Nagamatsu, Debora Mizubuti Brito, Lívia Laura Matté, Josiany Oening, Marcelo Capre Dias, Marcio Roberto Ghizzo, Elimar Plinio Machado

##plugins.themes.gdThemes.article.Authors##

  • Rosimeiri Naomi Nagamatsu
  • Debora Mizubuti Brito
  • Lívia Laura Matté
  • Josiany Oening
  • Marcelo Capre Dias
  • Marcio Roberto Ghizzo
  • Elimar Plinio Machado